By Olaf Berwald
The performs and prose works of the German author, director, and political activist Peter Weiss (1916-1982) have been immensely influential within the shaping of eu Modernism within the moment half the 20 th century. Combining exploratory aesthetic openness with an uncompromising moral force, Weiss's literary works, in particular the performs Marat/Sade (1964), The research (1968), and Holderlin (1971), in addition to the radical The Aesthetics of Resistance (1975-81) proceed to supply important issues of reference for any dialogue of tradition and politics in our occasions. Berwald's learn serves as a entire creation to Weiss's paintings and imaginative and prescient. The introductory bankruptcy outlines Weiss's lifestyles and paintings in exile. 3 chapters offer specified discussions of Weiss's theater paintings, from his early gruesome performs and the documentary dramas from the Nineteen Sixties that deal with Auschwitz, Angola, and Vietnam, to his most complicated performs during which intellectuals are staged as outsiders. the next 4 chapters talk about Weiss's prose works, which come with his autobiographical novels from the early Sixties, essays and notebooks on artwork and politics, and his summum opus, The Aesthetics of Resistance.
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Additional resources for An Introduction to the Works of Peter Weiss (Studies in German Literature Linguistics and Culture)
Only the fifth scene, “Gesang vom Ende der Lili Tofler,” makes a modest concession to the conventional expectations of a reader or an audience, the interest in an identifiable human being. The story of the courage and death of an individual Shoah victim emerges. The trial gathers information about Lili Tofler, a secretary in the camp who had written a letter to a prisoner and who had been interrogated and subjected to physical and psychological torture before she was killed. She did 15 not give away the prisoner’s name (93).
Nur in ihrer Spielweise nehmen sie Stellung zu den Konflikten. [. ” 24 “Natürlich bin ich als fortschrittlicher Mann / dafür daß jeder sich entwickeln kann / Juana die Zeitung [. ] / [. ” 26 “Bei Nacht umzingelten die Truppen das Dorf / [. ” 27 See for example 261; 254. All following excerpts and quotations from this play refer to the following edition: Diskurs über die Vorgeschichte und den Verlauf des lang andauernden Befreiungskrieges in Viet Nam als Beispiel für die Notwendigkeit des bewaffneten Kampfes der Unterdrückten gegen ihre Unterdrücker sowie über die Versuche der Vereinigten Staaten von Amerika die Grundlagen der Revolution zu vernichten.
Wären wir sonst Marxisten, Dialektiker? (54) Lenin agrees that their polemical exchanges have always been based on mutual respect and friendship. However, Lenin, who is aware that he will not live much longer, issues a warning to Trotsky concerning the coming fight for power within the Communist Party: Wir sind einander gewachsen. Aber ich hab nur noch wenige Jahre. Studenweise bin sich schon weg, ausgelöscht. Die andern, sie werden dich nicht neben sich dulden, wenn ich nicht da bin. Deine Selbstsicherheit, deine Weltsicht, sie werden nur Hochmut, Eitelkeit drin sehn.